Laura Albino

Laura Albino

Soprano

Laura Albino

About

Canadian soprano Laura Albino is in growing demand as a sensitive interpreter of the lyric soprano repertoire. Laura is an alumna of the prestigious Canadian Opera Company Ensemble Studio where she performed numerous roles including Fiordiligi (Così fan tutte) and Ilia (Idomeneo) in the Ensemble Studio performances and The Cook (Stravinsky’s The Nightingale and Other Short Fables) on the mainstage and at the Brooklyn Academy of Music.

A skilled interpreter of new music, Laura has performed in Ana Sokolovic’s highly successful operatic tour-de-force, Svadba/Wedding, in Toronto, on tour in Europe and with Opera Philadelphia. In 2016, Laura reprised her role of Lena in performances at San Francisco Opera. Laura also created Mimi in Against the Grain Theatre’s updated, gritty production of La Bohème.

Laura made her debut with Toronto’s Opera Atelier as Pamina in Die Zauberflöte, which was met with great audience and critical acclaim.

Other recent appearances include her Edmonton Opera debut as the Fourth Maid in Elektra, her Verdi debut with Opera in Concert in the seldom performed Stiffelio, her Calgary Opera debut as Musetta in La Bohème and a tour with Jeunesses Musicales of Canada as Micaëla in Carmen. Laura also appeared at the Banff Centre where she was called in with one-week’s notice to sing Fiordiligi in the Opera as Theatre production of Mozart’s Così fan tutte under the baton of David Agler.

Laura also starred as Rosalinda in Die Fledermaus with Toronto Operetta Theatre, a performance for which reviewer James Karas wrote; “[she’s] pretty, poised and can sing delightfully. She is the best part of the evening.”

An avid interpreter of sacred music and oratorio, Laura recently debuted with the Kingston Symphony in Haydn’s Creation. She has performed with many of the country’s leading choirs and orchestras including the Toronto Symphony Orchestra, I musici di Montreal, Amadeus Choir, Aradia Ensemble, Grand Philharmonic Choir, Chorus Niagara, Symphony Nova Scotia, and Pax Christi Chorale. Laura has also appeared as a soloist with the Oregon Bach Festival, Southwest Florida Symphony, Teatro lirico di Cagliari Orchestra, Handel Society of Dartmouth College, and the Bach Collegium Stuttgart.

A Winner of the Ottawa Choral Society's New Discoveries Competition, Laura also won the Giuseppe Verdi Prize in Montreal's 2010 Jeunes Ambassadeurs Lyriques.

Listen

Work

Micaëla

Highlands Opera Studio

Bizet

Le Tragédie de Carmen

Director

François Racine

Soprano Soloist

Kingston Symphony

Haydn

The Creation

Musetta

Calgary Opera

Puccini

La Bohème

Conductor

Gordon Gerrard

Director

Rob Herriot

Lena

San Francisco Opera

Sokolovic

Svadba (Wedding)

Conductor

Dairine Ni Mheadhra

Director

Michael Cavanagh

Image

Katie Cross Photography

Lina

Voicebox: Opera in Concert

Verdi

Stiffelio

Image

Katie Cross Photography

Pamina

Opera Atelier

Mozart

Die Zauberflöte

Conductor

David Fallis

Director

Marshall Pynkoski

Image

Image by Michael Cooper

Lena

Queen of Puddings M.T.

Sokolovic

Svadba (Wedding)

Conductor

Dairine Ni Mheadhra

Director

Michael Cavanagh

Image

Katie Cross Photography

Soprano Soloist

I Musici de Montréal

Mozart

Requiem

Conductor

Jordan DeSouza

Image

Katie Cross Photography

Micaëla

Jeunesses Musicales Canada

Bizet

Carmen

Director

Alain Gautier

Soprano Soloist

Grand Philharmonic Choir

V. Williams

Dona nobis pacem

Image

Katie Cross Photography

Fiordiligi

Banff Centre

Così fan tutte

Mozart

Conductor

David Agler

Director

Joel Ivany

Soprano II Soloist

King Edward Choir

Mozart

Mass in C Minor

Image

Katie Cross Photography

Mimi

Against the Grain Theatre

La Bohème

Puccini

Conductor

Christopher Mokrzewski

Director

Joel Ivany

Soprano Soloist

Symphony Nova Scotia

Handel

Messiah

Conductor

Kevin Mallon

Image

Katie Cross Photography

The Cook

Canadian Opera Company

The Nightingale & Other Short Fables

Stravinsky

Conductor

Jonathan Darlington

Director

Robert LePage

Image

Image by Michael Cooper

Soprano Soloist

Chorus Niagara

Bach

B Minor Mass

Conductor

Robert Cooper

Image

Katie Cross Photography

Rosalinda

Toronto Operetta Theatre

Die Fledermaus

J. Strauss

Conductor

Derek Bate

Director

Bill Silva

Soprano Soloist

Amadeus Choir

Mendelssohn

Elijah

Conductor

Lydia Adams

Image

Katie Cross Photography

Ilia

COC Ensemble Studio

Idomeneo

Mozart

Conductor

Harry Bicket

Director

François de Carpentries

Image

Image by Michael Cooper

Soprano Soloist

Toronto Symphony Orchestra

Bach

St. John Passion

Conductor

Helmuth Rilling

Image

Katie Cross Photography

Fiordiligi

COC Ensemble Studio

Così fan tutte

Mozart

Conductor

Martin Isepp

Director

Michael Patrick Albano

Soprano Soloist

Oregon Bach Festival

Bach

Cantatas BWV 78 & 140

Conductor

Helmuth Rilling

Image

Katie Cross Photography

Soprano Soloist

Bach Collegium Stuttgart

Handel

Saul

Conductor

Helmuth Rilling

Image

Katie Cross Photography

Press

"Laura Albino sang Pamina with real emotion, with a richly textured soprano. Her Ach, ich fuhl's, one of the world's saddest pieces of music, was heartbreaking." Robert Harris, The Globe and Mail
“Great additions this time included soprano Laura Albino as a strong-yet-honey-voiced Pamina...” John Terauds, Musical Toronto
"There was much to admire in the pert, vivacious Musetta by Laura Albino. She dominated the proceedings in the second act at Cafe Momus, her waltz song the smash it always is, and her shenanigans on stage hit the right spot." Kenneth Delong, The Calgary Herald
"Laura Albino plays a darkly serious Mimi, unpretentious and still. When her passion comes to the surface, as it does in her arias, she gives us something extraordinary. She’s a Mimi who finds the delicate balance between the humble seamstress only wishing her artificial flowers could live, and the bubbly exuberance of a woman newly in love." Leslie Barcza, barczablog
"Soprano Laura Albino makes a first-rate Rosalinda. She is pretty, poised and can sing delightfully. She is the best part of the evening." James Karas, Reviews and Views
"Albino was heavenly with her repeated and often soaring Dona Nobis Pacem, her voice round, focused, and lovely to hear." Stephen Preece, The Record
"Most memorable is the pairing of Albino’s prim, granny-glasses Fiordiligi and Segal’s more emotional, large-eyed Dorabella. Their soprano and mezzo voices blend like honey in duets, and they use their arias to further define sibs who each wants to remain true to her lover but finds that her heart is won over by another." John Kaplan, NOW Magazine
"Albino was fresh-voiced and agile, with a gorgeous top range and author of a really expressive Act II aria of self-exploration." Geoff Chapman, Opera Canada